. | . | Karaikudi Tradition | Introduction | |
Karaikudi Vina Bhaani Bhaani is from Bhaanih in Sanskrit, which is from the root word bhan meaning sound. Bhaanih also has another meaning- "weaving".
Literally it is "weaving with sound". Bhaani is generally translated as Style in English. With this equation, we need to distinguish style from stylization. For example in Indian films, there are two categories of actors. The stylized actor whose idiosyncratic gestures, movements and the preferential roles in the film, make him unique and distinguishable from the rest of the actors. He belongs to the first category. He stands out. In the second category the actor acts the roles of characters in accordance with the characterization in the story. Here the actor's self is subordinated to the characters of the story. This is quite simple to understand. But it is difficult to describe a musical style precisely in the above
manner. Describing the musical Karaikudi style of vina playing started from Karaikudi vina brothers,
Subbarama Iyer and Sambasiva Iyer the 7th generation vina players in their
family. No recording is available of the music of Subbarama Iyer. Recently
a recording of Karaikudi Sambasiva Iyer is made available from a private
collector. But the recording is a duet or trio performance where the two
prime disciples of Sambasiva Iyer, my sister, Smt. Rajeswari Padmanabhan
and Smt. Ranganayaki Rajagopalan have accompanied him. However, I will
describe here and demonstrate the most important features of the style. |
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